Artie’s so busy developing his talent as a director, he leaves Betty alone to fall in love with Joe. The noir feel isintroduces immediately aswe see the old fashionedcards drive past in low keyblack and white lighting.The shadowy contrasty skyis a key element of noir isthis shot. Norma thinks that she belongs back in the limelight and can manipulate her way to her goal; Joe thinks that Norma’s strange, but he can get some quick cash from her then escape back into the “real” world; Betty believes that if she can convince Joe to co-write his story with her, she’ll launch her screenwriting career; Artie thinks that Betty and Joe should put action scenes in their picture so he can work on it as an assistant director; Max thinks that by sending Norma phony fan letters he can keep her happy and prevent more suicide attempts; Mr. DeMille thinks that by not telling Norma she’ll never do another picture with him, he’s keeping her from being hurt. That’s what makes one a star. The following analysis reveals a comprehensive look at the Storyform for Sunset Boulevard. . Joe’s angered to learn just how far Norma will go to possess him when he overhears her nasty anonymous phone call to Betty. As the story progresses the characters come up with more ideas to achieve their goals: Joe comes up with the idea to ask his friends for money to pay his car notes; Morino advances the idea that losing his car will be good for Joe, because he’ll have to write; Betty comes up with the notion to co-write Joe’s story idea so she can earn herself a writing credit; Max comes up with the idea not to tell Norma the truth about Paramount’s wanting her vintage car for a film, not her screenplay, so that she’ll be happy. only the price turned out to be a little high. [. Norma’s obsession to change from a forgotten actress to a star makes Joe’s life unbearable. I found it [“Bases Loaded”] flat and banal. Betty knows a good story when she reads one, and prepares notes on how to develop Joe’s story and sell it. Joe’s hopes for a future with Betty are destroyed when he discovers that Norma has tainted their relationship with harassing phone calls. When did you come home? And what made it even worse was that she was around all the time, hovering over me. . We didn’t need dialogue. NORMA: It’s yours, Joe. MAX: . James Joyce? In 1960, Edward Ruscha began taking a series of photos of every building on the “Sunset Strip” in Los Angeles, California. . This essay will give an analysis of sound design used in the movies and how it is as important as the moving pictures to the movie. NORMA: Those idiot producers! Lighting? . Joe must start to act with more integrity if he’s going to truly be a success. Betty finally understands why Joe’s been lying to her and Artie about where he lives and is heartbroken; Joe finally understands just how desperate Norma was to hold onto him, as he floats face down in her pool. She employs Joe Gillis, a disillusioned young writer, to work on the script with which she hopes to make a comeback, even though Cecil B. DeMille has turned it down. It is a classic black comedy/drama, and perhaps the most acclaimed, but darkest film noir story about “behind the scenes” Hollywood. As he exits the house Norma shoots him, and he lands dead in her swimming pool. Joe might have inferred that if he only wrote a couple B movies so far, and his present work isn’t any good, there’s a probability that he won’t be the hot writer he intended. Adaptation is not new; it has been in discussion since the days of silent movies. Where have you been keeping yourself? Having fallen in love with the younger Joe, Norma attempts to buy his affections, then fights to keep him from leaving her for another woman. Sunset Boulevard (styled in the main title on-screen as SUNSET BLVD.) GILLIS: All right, I drove to the beach. Oh, no! Joe focuses on keeping Norma happy, and protecting the wholesome Artie and Betty from the truth about his unsavory lifestyle. . Sunset Boulevard returned to Broadway in 2017 at the Palace Theatre with Glenn Close reprising her role as Norma Desmond, following a sold out run in the West End at the London Coliseum. (Angles? Norma realizes she has the advantage over Joe when he demands to have his belongings returned to his apartment: (1950), co-written by Charles Brackett & Billy Wilder, their 17th and final collaboration, and directed by Wilder.Here is a plot summary from IMDB.com: Whether the story comes in a linear ‘beginning, middle, and ending’ order or an untraditional order that may start at the end or the middle will set the ultimate tone of the story, thus the film. .] The objective characters focus on their abilities to achieve success in Hollywood. But it wasn’t so simple, getting some coherence into those wild hallucinations of hers. (Sadoul, p. 362). The music used for each scene fitted from the drama to the See where it says Readers’ Department? Norma schemes to return to the screen as the star she once was. . Her skin is very pale, and she is wearing dark glasses.” (Thomas, p. 123). Having tried every way she knows to achieve her comeback—and failing, Norma attempts to hold onto the man who makes her feel loved. .] But it's also a love story, and the love keeps it from becoming simply a waxworks or a freak show. Norma conditions Joe to do what she wants by throwing temper tantrums and threatening suicide. The objective characters envision how Joe or themselves can make it in Hollywood. Maybe I could wipe the whole nasty mess right out of my life. .] Sunset Boulevard, directed by Billy wilder in 1950, is considered to be the greatest film about Hollywood ever put on celluloid by Hollywood. I got myself a revolver. Norma’s use of speculation about her career dominates her life and entraps Joe in a nightmare that ultimately destroys him. Joe fails to make it as a Hollywood screenwriter and ends up murdered; Norma fails to return to the screen and goes completely mad; Betty doesn’t finish developing the story with Joe as she envisioned; Max doesn’t implement steps to stop Norma from destroying Joe and herself. Norma’s suspicious nature undermines Joe’s efforts to become financially independent of her and have the woman he loves. BETTY: Come on, Joe. Dostoevsky? Posted by Jennine Lanouette on Tuesday, October 29th, 2013 . Betty wants to develop “Dark Windows” with Joe, pitch it to the producer, co-write it with Joe, and launch her writing career. JOE: Has it ever occurred that I may have a life of my own? Because she’s happy even in her torment, Max supports Norma in the falsehood, and warns Joe not to upset her: .] Things were tough at the moment. All I know is, they didn’t sell. Sunset Boulevard Sequence Analysis: Norma Desmond’s Final Scene June 26, 2019 by Essay Writer In Billy Wilder’s 1950 film Sunset Boulevard, Gloria Swanson plays a former silent film star named Norma Desmond who lives as a wealthy recluse in order to protect … This Study Guide consists of approximately 24 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Sunset Boulevard. She might realize that her career is over, and with her wealth and self-determination find another way to self-fulfillment. Where were you? . (Martin 2014, p.XV). He tries to escape but she attempts suicide and he returns. On the journey to the goal: Norma tortures Joe with memories of her glorious past as a movie queen; Joe remembers how some of the guys back at the Ohio newspaper believed he would fail in Hollywood, and it galls him to consider returning to his old job; Betty remembers ten years of acting and dancing lessons, and her three-hundred-dollar nose job, all wasted, because she didn’t have the talent to be a movie star; While he’s waiting for Norma at Paramount studios Max, now a servant, remembers his life as a director: So they opened their big mouths, and out came talk, talk, talk. Meet Joe Gillis. NORMA: Stars are ageless, aren’t they? This may have prevented the violent breakup and saved Joe’s life. So does he for a while. Content by Tony Macklin.Originally published on March 9, 2009 @ tonymacklin.net. Well, his disembodied voice leads us back in time and gives us the skinny. "Sunset Boulevard" is a backstage melodrama using a filmland, instead of a legit, locale. Joe regrets being sequestered in Norma’s house as her lover, and attempts to free himself which provokes her to kill him. He needs to start telling the truth to the finance men, to Norma about her script, to Artie and Betty about his relationship with Norma, if he hopes to set things straight in his life. He might have chalked the whole experience up for what it was, patted himself on the back for trying, and gone back to Ohio before it was too late. Max has stopped using his senses when it come to Norma. Before an analysis on how the movie challenges media representation, it is important for us to understand what is a mockumentary. Her insecurity causes her to demand constant attention from Joe, who feels more uncomfortable with her than ever. Joe pretends to be a heartless gigolo so Betty will stop loving him and marry Artie; Max pretends to be a film director to lure Norma downstairs to be arrested for killing Joe; Norma acts like the silent screen star she once was when she madly glides down the staircase to the newsreel cameras. Contrary to Joe’s belief, he’s not destined to become a successful script writer. Caught in a desperate situation that many struggling screen writers find themselves in, Joe comes up with ideas to score some quick cash from Sheldrake, his agent, and his friends. When he pulls into the Sunset Boulevard driveway, he’s relieved to lose the finance men chasing him and get hired to rewrite Norma’s script. SUNSET BOULEVARD. Where am I? The objective characters are motivated by how they see themselves. A very simple setup. GILLIS: I went for a walk. Adaptation of the literary classics to the films has surged as one of the most appealing topics in the 21st century of interdisciplinary studies. The lighting in Sunset Boulevard is used as a symbol that represents loneliness and a yearning hopefulness to become successful. A timeless example of non-linear storytelling carrying a film would be the graphic novel to screen adaptation of Frank Miller’s Sin City. It’s fate that pulls him back to Norma after his first attempt to break free, sealing his doom. He’s had some minor success in Hollywood writing B movies, but it’s been a long time since he’s sold anything. An older woman who is well-to-do. He learns that losing his only means of transportation and independence means nothing to Norma. BETTY: It’s not your career—it’s mine. Both Betty and Norma passionately advance plans that will transform them into successful women. I wanted the dough, and I wanted to get out of there as quickly as I could. light hearted moments. But that wasn’t good enough. NORMA: You’re here, Joe. . You see, I was her first husband. . Sunset Boulevard Summary. His situation drives him to accept a rewrite job from Norma Desmond against his better judgment. Copyright © 2020 IPL.org All rights reserved. NORMA: Oh yes, yes. She was a fool, and I loved her and I’d been a heel not to tell her. [. Later he strangled himself with it. And floating in a pool. . At her private New Year’s Eve party, she’s so happy dancing in Joe’s arms she blurts out her feelings: Sunset Boulevard plot summary, character breakdowns, context and analysis, and performance video clips. To help explain this analysis I am using the animated movie Wall-E made in 2008 by Ben Burtt as a case study . You don’t know what I’ve been through these last weeks. . MAX: She was the greatest of them all. . JOE GILLIS, barefooted and wearing nothing except shorts and an old bathrobe, is sitting on the bed. . What grabbed my attention the most in the movie was the scene where the protagonist shoots the policeman. I kind of hoped to get in on this deal. . She harasses the young woman and Joe finally leaves Norma for good. inside the shoe shop, it gives the characters something to do while they talk. And we’re not helping her any, feeding her lies and more lies. Me! look at my face. Norma’s a forgotten woman living alone with her memories. is a 1950 American film noir directed and co-written by Billy Wilder, and produced and co-written by Charles Brackett.It was named after a major street that runs through Hollywood, the center of the American movie industry.. Say it! Louis is about manipulating a crime scene in order to produce more violence which can be sold later on. .] He returns and they become lovers. After Joe fails to sell a story idea to a producer, he’s forced to flee finance agents who want to repossess his car. As she begins to breakdown during her attempt to recapture her youth with quack beauty treatments, she surmises that Joe may be cheating on her. When DeMille reinforces her false belief, Norma locks onto it with a vengeance, working herself into a frenzy as she gets ready to face the cameras at age fifty. I have to get ready for my scene. Once Norma foresees that her star will rise over Hollywood again, she wages an obsessive campaign to make it happen. . When Norma offers him the chance to make some money, pay his bills, and continue his efforts to sell his scripts, he accepts. . ” The segment of Sunset Boulevard that will be analyzed in this essay is significant because, through the use and interplay of cinematography, editing, elements of Mise-en-Scene, and the dialogue, Norma’s delusions are highlighted and magnified. In front of a shocked Joe she suddenly erupts with frustration and anger: Norma interprets Joe’s nighttime prowls to mean he has another woman, and snoops until she finds Betty’s name, then makes the harassing calls. NORMA: I need you as I never needed you. Betty knows she’ll never be a movie star, but she’s certain she can be a great scriptwriter; she pursues Joe to help her get established. Sunset Boulevard weaves a magnificent tale of faded glory and unfulfilled ambition. Joe comes up with the idea to hide his car from the finance men, then hustle the producer, his agent, and his friends for the cash to make his payments; Betty advances the notion that Joe’s “Bases Loaded” came about because he’s desperate for a job; the agent, Morino, thinks it’s a good idea if Joe loses his car, then he’ll be forced to write; Norma hatches the plan to hire Joe to rewrite her script and move him into her home so she can control him. On the way to the goal Norma finds happiness in her past as a film star, which included dancing with Rudolph Valentino; Max takes pride in telling Joe how he discovered Norma when he was a promising director; Betty tells Joe about her years of preparation to become an actress and how her failure lead to a more fulfilling career choice as a writer—a profession in which she shows much promise; Norma is able to show off her young paramour to the “waxworks,” the friends of her past. What happens when she finds out? He purposely disgusts Betty by flaunting his present arrangement with Norma. She is dressed in black house pajamas and black high-heeled pumps. and hides his car in Norma’s garage; when he’s offered the chance of a job, Joe grabs it, embellishing on his experience and pay rate; when Norma comes on too strong on New Year’s Eve, Joe leaves her house, hitches a ride, and finds people his own age to party with; when he discovers that Norma is harassing Betty, he takes charge of the situation, tells Betty to come see him, then tells her the truth. Joe runs away from the finance men fearing that his car will be seized; it would be like losing his legs, he says. These recollections fill her with happiness and fuel her enormous ego. narrate the story, this was done through dialogue, and some Diegetic sounds were used Cecil B. DeMille considers himself to be Norma’s kindly mentor even after twenty years; he lies about doing another picture with her so his dear “young fellow” won’t be hurt. His series of photos gives us a tour of the strip from both the north and south sides. Suspicious of Joe’s late night “drives to the beach,” Norma interrogates him as he sleeps: Acting upon the little decency he has left, he packs only his old belongings, and takes off the gold watch Norma’s given him: This movie truly embodies the latin inscription around Leo the Lion in MGM’s logo “Ars Gratia Artis.” Art for Art’s Sake. The drama was well composed, and it remains one of the widely watched comedies globally. Fed up with Norma’s obsession for a comeback and her possessiveness, Joe packs up his old belongings, returns her gifts, and leaves the house. A. O. Scott looks back at Billy Wilder's classic meditation on celebrity and Hollywood. I’ll fill the pool for you. I don’t want to be a reader all my life. . There’s no denying she possesses an innate ability to captivate an audience. NORMA: Now what is it? Lighting? .] Now you’ll have to write. . a musical in 2 acts, 21 scenes: Libretto by Don Black and Christopher Hampton; based on the film and screenplay Sunset Boulevard by Billy Wilder: Music by Andrew Lloyd Webber. Betty imagines that if she can convince Joe to let her help him develop one of his stories, she can earn herself a screen credit and launch her writing career. Or I’ll open my house in Malibu, and you can have the whole ocean. . Joe is a screenwriter, trying to make car payments and expenses. The objective characters have different ways of thinking: Joe’s agent thinks his client’s desperate need for money and the chance that he’ll lose his car is a good thing: Norma, you don’t want me to feel I’m locked up in this house? She attempts suicide and he returns, becoming her lover and a kept man. Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. (1950), co-written by Charles Brackett & Billy Wilder, their 17th and final collaboration, and directed by Wilder.Here is a plot summary from IMDB.com: Her talent to entertain distracts Joe from the boredom of living with her, and delays his escape. Joe’s situation with Norma inhibits their conflict until the end when she’s already over the edge, and would rather kill him than be left alone. Billy Wilder uses the black and white colors to the film’s advantage. 9 frame analysis sunset boulevard 1. When Norma discovers that Joe is writing a script with Betty, she decides to break up the partnership. . What fun we’re going to have. Norma Desmond — Forgotten Silent Film Star. How? Around her throat there is a leopard-patterned scarf, and wound about her head a turban of the same material. Nightcrawler’s Review Norma falls in love with Joe, and smothers him with clothes, jewelry, and her unwanted affections. GILLIS: I haven’t been keeping myself at all. When he returns the jewelry she’s given him, Norma offers him more: Sunset Boulevard preliminary draft with original opening scenes and Montgomery Clift listed on cast sheet, 1948.A fascinating early script draft for Sunset Boulevard, Billy Wilder’s classic 1950 film noir with Gloria Swanson and William Holden.A simply typed warning from Wilder and screenwriter Charles Brackett graces the cover page: “This is the first act of Sunset Boulevard. Who is she? When she gets a call from Paramount Studios, she believes DeMille wants to make her picture, but they just want to rent her vintage car. After Louis Bloom witnesses how stringers are filming a car wreck for the news broadcast, he decides that this career is just for him. Sunset Boulevard Film Summary & Analysis. Joe sneaks out of her mansion at night to write a screenplay of his own with a pretty young script reader. She goes to see DeMille, but he doesn’t tell her the truth. Norma refuses to accept the true meaning of this. You've reached the "hub" for any and all Dramatica analysis of Sunset Boulevard. His greatest successes. The only other person besides Norma living at the mansion is Norma's valet, Max, whose unofficial job is to prime Norma's fragile but larger than life ego. . I’ve got the most wonderful news for you. . Joe understands Norma’s intentions when she gives him the gold cigarette case, and declares her love for him. Nightcrawler is an exciting thriller about an amateur cameraman, Louis Bloom, who finds passion for the high-speed world of Los Angeles crime journalism which turns into a successful small business. Joe finds himself living in a one-room apartment, behind in his rent, and on the verge of losing his car. NORMA: Oh. Joe’s frustrated when Norma refuses to have her card game interrupted while at that very moment his car is towed away by the finance men. . 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